#memorablemomentsineducation #5:
In honor of Back to Speech and Debate night this evening, I want to remember the moment that set me on a path. I was in 9th grade at a junior high, and kids from the high school debate team came to perform in front of our English class. We saw a little interp and an abbreviated CX Debate (I think). I don’t know what possessed me, but at that moment I decided I wanted to do that, I decided I could actually do that! Within weeks I found myself attempting a Duo with Cari Koster where we re-enacted a famous scene from Huck Finn. I vividly remember us sitting on the floor of a classroom attempting pseudo-Southern accents (I’m sure I missed the idea they were impersonating European royalty) and trying to recall our lines. I was terrible, but I did it. And it was the doing that led me onto the high school team where I got much better.
#memorablemomentsineducation #4:
#memorablemomentsineducation #4:
I missed a day, but it was so worth it because today my inspiration comes in the form of one of my film heroes Martin Scorsese. Scorsese sat on a panel at the Telluride Film Festival where he spoke about and paid tribute to influential filmmaker Agnes Varda. As he shared amazing stories about his own films, his relationship with Agnes, and his experience with aging, I was struck by a thought: how did I end up here, in this amazing moment? I’ve obsessed over film for more than two decades, and I’ve had amazing opportunities to share that passion with scores of students. Here’s the secret about teaching–when you get to share what you love with students, you also get to explore and expand your own learning. We ended up seeing this film because we ran into one of my former students on our way to a different movie. We chatted about the films we’d seen so far, his plans for the future, and another student I’d taught in the same class. You see, students give us this gift to pursue what we love, to share what we continue to learn. If my students hadn’t continued to feed my need to know more, I probably would not have gotten to sit at the feet of this film genius and soak up all he has to offer. How is that for a memorable moment?
#memorablemomentsineducation #3:
#memorablemomentsineducation #3:
I worked for a principal for many years who had quite the impact on me (he’d probably say the same about me, but it would sound more like “she was a pain in the a**”). Everyone who worked for him knew he communicated emotionally, not always logically, but we understood what was important to him:
1. Drop everything for a kid.
2. Assume positive intent (of your kids, your kids’ parents, and your colleagues).
3. If they keep score, I want to win.
That last one may seem a little too competitive for today’s collaborative environment, but we also knew #1 was always the essential ingredient for any educator. Every day, I know those ideas still linger and drive what I do.
#memorablemomentsineducation #2:
#memorablemomentsineducation #2:
My teacher, Mrs. Ater, kicked me out of reading group in 6th grade. I don’t think this was the time I actually went to the principal’s office (though that happened a couple times); I think she was just exasperated with me and needed me to go away. The reason? We were asked one of those generic questions about a passage that began, “What do you think?” Well, if you’re going to ask me what I think, then I don’t believe you can tell me my answer is wrong. I’m sure I spent too much time arguing with her about how valid my response was, so she politely asked me to leave. I remember this moment not because I was right (though I was) but because she knew I needed that moment to realize our entire class was not about me, my arguments, or my inflated sense of injustice.
#memorablemomentsineducation #1:
I found myself in a meeting yesterday with a lot of district leaders, most of whom had come through the ranks as teachers first. Our superintendent asked us to share our “most memorable moment in education,” which solicited all kinds of stories about their teachers, their roles as administrators, their work with students, and even their own children’s encounters with learning in and out of school. Each of us commented on how hard it was to come up with just ONE moment, and listening to others’ stories reminded me of even more experiences I’ve had, probably numbering in the 100s.
So, I’ve decided to post a #memorablemomentineducation every school day this year (or at least as many days as I can remember to do it)! Thankfully, most are happy memories, but I’m sure there are a few moments of frustration in 35+ years of formal education. Here’s number 1:
I always say I’m a teacher because I was fortunate to have been taught by so many amazing teachers in my own life. I attended my neighborhood public schools and never thought twice about whether another option was available to me. Some may say my experiences are an exception, but I will tell you that is not the case. Year in and year out, I was taught by amazing women and men who were dedicated to their craft and to their students.
So I want to tell you about my French teacher Vicki Swetz who happened to appear in my news feed yesterday. I started taking French classes a year later than all the other “honors kids” in my school. As a result, I was not supposed to take the final French V course as a senior. But Mme. Swetz saw a desire and a drive in me that translated into an offer to tutor me in French IV over the summer between my junior and senior years. She handed me a textbook, assigned me the exercises, and met with me periodically over those two months to practice my speaking skills. She didn’t get paid. She didn’t roll her eyes when I skipped a few chapters in favor of hanging with my friends. She probably didn’t even mind when I didn’t say “thank you” enough. I mean, what teacher would do such a thing?! Well, my teacher. I remember sitting in her office learning the subjunctive, expanding my vocabulary, and practicing the appropriate way to pronounce an “r.” In subsequent years on a couple occasions, once as student and once as teacher, I got to travel to France with her to practice all that I had learned, all that she had taught me. Merci, Madame!
Olympic-Sized Risk….or Reward?
Last week, my 8-year-old daughter performed an original song on ukulele in front of a crowd of mostly strangers (who turned out to be supporters) in a coffee shop. Her music school offers occasional recitals in the form of open mic nights, and after just six weeks of taking music lessons, Ryn decided she was ready to perform a song she wrote. After making the decision a week prior, she proceeded to invite everyone (mostly adults, a couple teenagers who babysit her, and one of her best friends) to come see her play. Instantly, I felt nervous on her behalf. My child had anxiety about saying two sentences in her second grade musical program on the weather; how in the would could she sing and play an instrument in front of people she’d never met?
The night before her performance, for which her uncle, aunt, and cousin would now be in town to see, she complained of not being able to sleep and she didn’t know why. Of course, my husband and I suspected the looming moment on stage was enough to keep someone up tossing and turning. Looking back now, though, I wonder if I weren’t the nervous one, projecting my sympathetic worries on to her as she got up, confidently introduced herself and her song, and loudly sang into a microphone without a stumble. I know I’m her proud mama, but everyone in that room lapped up her cute persona, fashionable glasses, and memorable lyrics. She killed it!
Afterwards, she ate up the attention, basking in everyone’s comments like, “When can I buy your album?” “I’ll remember this when you’re a big star” and “You are so brave for doing that!” In another couple years, she will unfortunately learn to demur to positive feedback, but for now, I look on proudly at what she accomplished in a few weeks, and I know she has every right to celebrate the accolades. She has a good ear, she has a sense of poetry, and she has a passion for her music that demands others pay attention. Too few compliments are laid at our feet, and even fewer of us feel worthy enough to accept those compliments. We all might benefit from enjoying a confidence-booster when we can get it–something an 8-year-old should help us remember!
Now, fast-forward a week, and I am sitting in a cute dog-themed tavern in northern Los Angeles with my own mother. We are here to meet the son of a man who ran on the Olympic gold-medal-winning team with my grandfather in 1948. I am still a little unsure how we ended up here, but it seems a series of leaps of faith and moments of grace brought us together. At one point Cliff asked me what prompted me to reach out to him, so I shared the engineering of our encounter: I read an obituary in the USC alumni magazine about his dad which led me down the internet rabbit hole to an address for his mom and a subsequent card to share my condolences.
“Are you going to tell him the real story?” my mother interrupted.
“What real story are you talking about? I don’t know what that story would be,” I replied.
And like any proud mother who is half responsible for this hair-brained trip to Southern California, she told our host that I read Louis Zamperini’s book (Unbroken by Laura Hillenbrand) and proclaimed to her that I could write something better. Immediately embarrassed, I protested that I would never have said such a thing because sitting on the precipice of actually beginning to write this thing, I am terrified of the prospect of not…writing…anything, much less a New York Times bestselling book eventually adapted into a popular film. To make matters worse, Cliff laughed at my obvious downplaying of my arrogance and then explained he grew up with Louis Zamperini, Louis gave him his first motorbike, and he sat in front of Angelina Jolie and Brad Pitt at Louis’ funeral. Somehow I found the one man who knows the real Zamperini and the writer of his tale–the one man who can dismiss with measurable authority my own attempts at telling my grandfather’s story.
Unlike my daughter, I do not have youthful confidence, bubbling up from the innocence of never knowing the Grace Vanderwaal’s of the world have already “been there and done that.” My foray into writing this book is like trying to remake The Lion King–flashier stars and newer technology doesn’t change the fact the new film will always be second to the original when you’re competing with a nostalgic thirty-something’s cherished memories of a more innocent time. You can’t compete with someone’s first. So, writing about an Olympian who ran for the Los Angeles Athletic Club in the 1940s before ending up in the Pacific during World War II does sound familiar, right?
That might be what is so funny, even ironic, about our trip to California to meet this man’s family. Somewhere in the recesses of my memory, I know I have pursued this story because of the success of Unbroken, because of seeing the parallels between Louis’ experiences and those of my grandfather. Hell, my daughter probably first picked up a ukulele because she had watched Grace’s run on America’s Got Talent.
So where might this realization leave me as I contemplate the prospect of spending years on research, writing, and obsessive questioning whether any of it is good? I suppose I already knew the answer before I sat down to write this post: focus on your ten-year-old self who brought home that IBM Selectric from dad’s work with the intention to write an entire novel over the weekend; focus on you at age twelve when you met your Mississippi family for the first time and recognized how vast and varied your personal history actually was; focus on your 35-year-old version who started small drafts but never showed them to anyone for fear of ridicule; finally, focus on who you are today at 43, the mother of two fearless children, who happened to reach out to a stranger with no real idea of what you might find, but with a glimmer of hope that somewhere in there might be a story.
Should I Stay or Should I Go?
Sorry I haven’t written lately; I’ve been spending the last few weeks in Ancient Greece. Oh, and what a lovely venture it has been, transporting me to a distant past when I can envision a clear picture of where I stand today.
I began my journey, ironically, by staying in one place–Aeaea (pronounced eye-ay-uh)–the island where Circe, title character of Madeline Miller’s novel of the same name (2018), meets the heroic Odysseus. According to Miller’s recasting of this ancient tale from the perspective of the goddess nymph, Circe has been banished to this island by her father Helios for all of eternity. Yet, I don’t think I recognized the static nature of her punishment until I saw her story set in a relief against that of Odysseus as his own story is retold and explicated by Classics professor and author Daniel Mendelsohn in An Odyssey: A Father, a Son, and an Epic (2017). Set side by side, and read contiguously, I find both books highlight how and why our ancient tales, by and about men, can still teach me something profound about my own mortality and the need to travel and explore within “this mortal coil.”
I listened to both these books, which means I don’t have vivid memories of the words on the page, but I enjoyed the readers’ voices as they captured a layer of storytelling that we inevitably miss in reading an epic on paper. Actress Perdita Weeks reads Circe, and her mellifluous voice helped me connect with the nuances of this amazingly complex character who explains her immortality by connecting with famous mortal characters who’ve ironically become immortalized by Homer’s epics. Bronson Pinchot (yes, the actor who played Balky on Perfect Strangers) reads Mendelsohn’s book, and I delighted in his voice of Daniel’s father with a pitch perfect Queens accent and his comedic timing that captured a touch of sarcasm as this son-turned-professor suffers the commentary from both his freshmen students and his father. I have listened to quite a few books this summer, and the experience has grown on me when I find the time to really listen. I think it’s rather fitting given The Odyssey‘s roots in oral storytelling that I got to re-experience this tale from different perspectives and different voices than the ones I create in my head when reading the written word.
While Miller’s Circe is immortal, she uses this character trait to explore what it means to be human, to be mortal, to have an expiration date on your life. Circe faces the concerns of any girl-turned-woman as she fights with her siblings, disagrees with her father, and comes to terms, as every mother does, with the mortality of her son who has been fathered by Odysseus. At first, Circe welcomes her exile, a chance to work on her witchcraft and to escape the drama of the gods at court. But in contrast to the mortals that visit her, her life lacks meaning and purpose as she faces the prospect of unending, read unchanging, life. When she becomes enlisted in the struggles of mortals, just as Prometheus does when he opts to bring them fire, she makes a crucial decision that suggests a life of meaning comes from adventure and movement–something Odysseus famously pursues but is denied Circe–not the staid comforts of home.
In an interesting parallel, Mendelsohn’s father, the focus of his memoir, also relishes a chance to journey, to encounter something novel, while his wife prefers to stay home. Mendelsohn explores how we come to terms with our own mortality by sharing his journey to teach Odysseus’ story to his students and to his father. While the inevitable death of his father seems to enshroud the story, Dan (as his father calls him) captures the timelessness of the epic, of The Odyssey, and of our ongoing relationship between teacher and student. Mendelsohn accomplishes for his father what Homer did for Odysseus–telling his tale of mortal struggle and inexplicable dangers for the purpose of keeping his memory and his story alive for always. Dan’s father seems most alive when he’s seeking something, whether it’s knowledge or adventure in Greece or meeting someone new. Their journey together to understand The Odyssey forms an even better understanding of the relationship between father and son, teacher and student, storyteller and listener.
Both books make me wonder about the nature of timelessness, whether it has been achieved in the perpetuity of Odysseus’ tale or ultimately elusive as we futilely attempt to keep our memories alive via story. Mendelsohn lands on this idea that in reading and exploring the classic epic, he and his students (which certainly includes his father) participate in a timeless tradition, that of teaching others, of passing on those stories from one generation of parents (or even professors) to another. Additionally, the fact Miller takes up Homer’s oft-told story, something that many writers before her have done, illustrates our need to carry on the stories that sustain us, to find new ways to retell them while honoring what they mean at their core.
Mendelsohn, thus, helps me recognize how we continually attempt to look back as a means of making sense of who we are. He and Miller revisit The Odyssey in different ways but with the same seeming purpose: to capture some glimmer of what the past means for them in the present. Mendelsohn wants to understand his father, and thus himself; Miller explores the strength of women in a patriarchal culture to see our own role today. Both prove for me that while the rearview mirror helps, we will never capture it all. Instead, looking forward to the adventures and experiences where we pass on our knowledge, share those stories, journey into the unknown, with the ones who come after us, THAT marks our opportunity to forge a new distillation of what we mean to the world.
A Teacher by Any Other Name?
Just this week, I came across an article on Edutopia, a website I follow that posts all things education and advocates for various theoretical and practical changes to our education system, where its author Ben Johnson suggests we find a new name for the title teacher. Specifically, Johnson lands on the term learning engineer as a way to incorporate the myriad jobs asked of today’s teacher and to shift our focus towards more of a student-centered environment rather than the didactic model of the past.
Now, don’t get me wrong. I do agree we ask way more of teachers today than we did 22 years ago when I began teaching. AND, having a master’s degree in Experiential Education, a field of pedagogy most educators have never heard of, places me on the constructivist end of the teaching and learning spectrum. However, I do pause at this idea that we need to change what we call ourselves.
Even though our profession may not garner the respect it deserves, I am proud when I tell people I’m a teacher. That is not always the case for many of my younger colleagues, but I probably relate differently to the term, not because I come from a long line of teachers (I don’t), but because I had the honor of being taught by so many accomplished, thoughtful, life-changing people who convinced me this was a profession worth joining. And in the 80s when I attended elementary school, A Nation at Risk had yet to enter the psyche of Americans, and we did not yet believe the narrative that public schools are failing or that our teachers are falling behind. You see, I remember gathering in the library of my elementary school to watch on a rather small tube television as Christa McAulliffe, the first teacher in space, launched into the skies on the Challenger shuttle only to witness its tragic explosion more than a minute later. While I’m sure I’ve superimposed my later understanding of that moment onto my memories of it, I know we all believed in the significance of that feat for NASA, for schoolchildren, and for our nation. We didn’t get out of reading class for an hour because another Space Shuttle was launching; we got out of class because a teacher was launching into space and that was history. In those minutes leading up to the launch, the teaching profession had been elevated, respected, revered, and young children across the country were paying attention.
I fiercely believe that words have power, so I understand the urge to coin a new moniker for what we do in hopes of changing how others perceive our work. By calling us “learning engineers,” people might recognize the kind of knowledge and expertise necessary to excel at teaching, but we also risk insulting the intelligence of those very people who choose to discredit the job no matter its name. Rather than calling us something else, why not reclaim the term? Why can’t we remind people what makes this profession so foundational and so essential to our communities, to our society, and to our country?
Part of what Johnson alludes to in his essay also speaks to some primary issues with the art and act of teaching itself. In changing the terminology for teaching, he attempts to double-down on a century-old idea that classrooms should be altars to student-centered learning, a concept exalted by John Dewey and other progressivist educators at the turn of the last century . Believe me when I say I have worshiped at those same altars, and I do regret the decades of traditional schooling where teachers believed their job was to stand at a chalkboard, lecture while students took notes, and pontificate about the knowledge worth knowing. We could talk all day about the power invested in a teacher’s position when she gets to hold court at the front of a classroom, and why it’s been so challenging to give up that power; I agree we needed new structures to break down that dynamic so children saw themselves as responsible for their learning and active participants in creating it. Yet, I find it interesting that when educators finally embraced student-directed learning, we also began to question the value of a teacher in the equation of learning, giving our society permission to wonder if students really even needed a teacher at all!
More and more school districts are turning to online education programs, some perhaps with the intent of retaining crucial funding, but probably more so to tap into the prevailing theory that learning can and should happen via whatever avenue the student feels is best. I recognize that every student is an individual with individual needs and desires and challenges, so I don’t begrudge the expansion of these programs per se. I just wonder whether our students might still need some direction, some advice, some feedback (all face-to-face) from a teacher.
I earned my master’s degree through a self-directed program at Prescott College. Even at the alternative high school where I taught students for whom traditional schooling didn’t work, colleagues questioned the validity of a program where I directed my own course of study. Really, they would be correct to wonder whether I learned everything necessary to do my job well, but what most missed (and even I downplayed) was the fact I had an adviser, a facilitator, a sounding board, an expert to whom I could pitch my questions and confusions with the expectation that he would direct me, push me, and, ultimately, TEACH me. While a select few might be able to teach themselves computer programming by watching a Khan Academy video or learn how to connect the ideas of a literary work to the pressures and beliefs of its historical time period by logging into Shmoop, most of us need someone wiser and more experienced than us to show the way.
I read Ian Leslie’s book Curious last summer, mostly because I was curious to learn what makes us want to know more. Is our curiosity innate, either we have it or we don’t? Or can curiosity be developed, nurtured, and, thus, taught? Leslie seems to land on the argument that curiosity can only flourish when we already possess some kind of knowledge about the world around us, knowledge that typically comes to us in some form of direct instruction. Have you ever noticed that when you learn a tidbit of information, the definition of a word for instance, that you inevitably see that piece of information everywhere? You read an article that uses the word. A colleague inserts that word into a sentence. A meme appears in your news feed that plays on the meaning on that word. From my own experience, just last week I was reading the Pulitzer-prize winning book The Overstory, which taught me in a beautiful narrative the fact that trees communicate with one another via unseen networks in the ground and through chemical secretions in the air. Honestly, learning this fact astonished me. Yet, even more astonishing was this concept being mentioned off-hand in an episode of Amazon’s Sneaky Pete. I see these flashes of recognition in my students all the time. They’ll learn about an author they’d never heard of, say Kurt Vonnegut, or a blues musician like Robert Johnson, and then discover these people exist in the ether around them, happily sharing their encounters with me as they recognize bits of cultural knowledge in other spheres of their lives. At that point, they become hooked, they’re curious to learn more!
Those moments that build their curiosity often come from me telling them about something, not from their own discovery. As a teacher, one who lectures, instructs, facilitates, and even engineers learning opportunities, I have the power to create curiosity in my students. Research tells us that a teacher can have a measurable impact on student learning well into the future, yet I sometimes fall into the trap of feeling like I don’t have much influence over my students. Perhaps that’s the case because I have bought into this idea that teachers are supposed to engineer environments where students create their own knowledge, rather than teaching them about what there is to learn. I hope we can reclaim the title teacher so that each of us recognizes the power we have, that we matter, that it matters that we teach, not just engineer learning for students. I want my students to take ownership of their learning, to see themselves and their discovery as the central focus of a school. But in the process of transforming education, please don’t discredit what we teachers do to get them to that place where they can learn.
Who Doesn’t Love a Good Tradition? Or a Good Slice of Pie?
For ten years or so, I have spent a week in June at the National Speech and Debate Association’s (@speechanddebate) National tournament. Thousands of high school (and now middle school) students converge on a city, usually in middle America, to show off their rhetorical and oratorical skills. The week always seems ripe for tradition, and I relish the chance to help my students feel part of a past and future legacy. But, let’s be honest, the tradition is really for me, and the students just give me license to celebrate some hokey act or weird hobby.
I wonder if I’ve always been obsessed with tradition, or if it might be something that came to me with age–perhaps, the fact of years past strikes us in a moment, and we feel the need to preserve that feeling well into the future? Whatever the cause, I do know teaching and coaching has always been the place where I conjure up these traditions.
Years ago, I would have my sophomore English students write a letter to next year’s students on their manila folder so it could be passed on to those very students when they embark on the journey of taking my class. Some of those letters offered droll stories about reading A Raisin in the Sun aloud in class, while others provided some sage advice about how to read the books rather than SparkNotes or participate in class discussions because their efforts prove worth it! Invariably, students always saw this as an opportunity to take witty jabs at me and my idiosyncrasies, which actually gave future students permission to joke and laugh with me, knowing I would be able to handle it. When I left that school for another one six years ago, I felt a twinge of guilt that I had allowed a sweet tradition to die, but I knew my love for tradition would certainly live.
But you might be asking how this connects with a bunch of speech and debate nerds wandering the halls of a school on their summer break while talking to walls. The NSDA has its own share of tradition, as the organization (once called the National Forensic League) honors coaches for their years of dedication to the activity and their students by awarding “diamonds,” highlights their best practitioners by inducting them into the Hall of Fame, awards finalists with trophies in events named after contributors to the history of speech and debate, and bestows a lei flown in by the Hawaii contingent on each national champion. We hold students who have qualified to the National tournament each of their four high school years in high regard, but I don’t think we do so just because their qualification marks a rare achievement. Instead, I’d like to believe we honor those students because they are the ones who can travel from Nationals in Utah to Alabama to Florida to Texas and carry with them the legacy of the event and pass on our traditions to others.
My favorite tradition from Nationals week, however, is a personal one born out of coincidence in a shared love for the one true thing you will find in all great towns—PIE.
I began coaching at Chaparral High School in 2004 with another head coach who had also grown up and competed in Kansas. In 2005, together we qualified our first competitors to the Bluebonnet Nationals in Dallas, Texas, where we also discovered our common affinity for all kinds of pie. If I remember correctly, we happened upon a small pie shop in Grapevine, Texas, and my high school memories of hanging out at Perkin’s or Tippin’s after a debate tournament, where my friends and I would sit, laugh, razz each other, and eat pie a la mode until the wait staff would kick us out, came flooding back. For me, pie and debate are inextricably linked, something I’d forgotten in the intervening decade since I’d graduated high school…but so thankful to recall in my early years as a coach. Out of that memory, a new tradition was reborn that has followed me through two debate programs, 15 years of coaching, and hundreds of students.
If I could, I would explain to all those students that my love of tradition, my sharing of that tradition, is the way I connect the years from my start to my finish and beyond. With the advent of smartphones, the search for the perfect pie has become much easier but just as enjoyable, as I read Yelp reviews and local journalists’ write-ups of the best pies in town. I have driven 30 minutes out of my way to find the right pies for our team to enjoy. And once we find that perfect pie (or, really, pies since we have to try every flavor!), we sit down as a team and laugh and razz each other, and I get to believe for a brief moment that I’m still in high school. But I quickly snap out of my reveries and realize how great it is to be a teacher and coach who gets to immerse my students in a tradition, that tangible connection between the past and future which reminds us this time, too, will pass and we should hang on to the moments by marking them in some special way because we never know who might inherit our tradition and make it breathe!
Some of our best places for PIE:
Emporium Pies–Dallas, Texas
The Good Pie Company–Miami, Florida
Tippin’s Pies–various locations
Please add your own suggestions for awesome pie shops in the Comments below!
Crossing the Divide: A Review of Colum McCann’s Transatlantic
When I set to read, well listen to, Transatlantic, I had prepared myself for a mediocre competition with McCann’s earlier widely-respected and seriously-loved (at least by me) novel Let the Great World Spin. In fact, I am set to teach the National Book Award-winning novel to my seniors this coming fall, so I set my expectations high for this more recent book, convinced that it would not measure up.
To add to this assumption was the fact a couple teacher friends, whose reading tastes I respect, had also panned the book, and, really, who wants to be the giddy ingenue choosing to love too much when other sophisticates have already told you not to waste your energy? (Perhaps I can tackle the psychology of rating books among friends who read in another post…) But because I was teaching McCann’s other novel, and Transatlantic had popped up as a suggested listen on my Audible account, I thought this might be a nice option for summer my walks.
Transatlantic begins with three seemingly separate stories about men who have bent the arc of history as they traveled from North America to Ireland: first, John Alcock and Arthur Brown successfully compete to fly across the Atlantic in 1919; second, Frederick Douglass crisscrosses the Emerald Isle in 1845, lecturing the Irish on the realities and travesty of American slavery while bearing witness to the emerging devastation of the potato famine and O’Connell’s fight for freedom; finally, former senator George Mitchell leaves his young wife and newborn son in New York City on a quest to find peace in the British Isles as they attempt to put the “Irish Question” to bed in 1998. Each story, in terms of character and action, seems detached from the others, yet the stories do feel connected in the way they bring the reader back and forth across the Atlantic, even conjuring up our own links to the island and its heritage. Just as everyone gets to be Irish on St. Patrick’s Day, this novel helps us all to recognize why that kinship exists even when we can’t trace our roots directly.
Each of the fictionalized accounts of these very real historical events engaged me enough because of how little I knew about them. While I must have known in theory someone else had flown a plane across the Atlantic before Charles Lindbergh, I had never given much thought to those forgotten trailblazers. Certainly, I had no clue Douglass had traveled beyond our shores and shared his Narrative with the Irish Quakers, Protestants, and Catholics. Having lived and studied in Dublin for a semester in 1996, however, I did know some of what Mitchell worked to accomplish in the Good Friday agreement. In some regards, just reading the first half of the novel would have been enough for me as I redrew the line of Irish history from the 19th century to today and recalled some of what the Irish people have faced and how much they have contributed.
Yet, what fascinates me most about listening to this novel was the use of a female Irish actress’ voice Geraldine Hughes to narrate the story. Generally, the gender of the narrator matches the gender of the author, especially when a first person narrator is not identified as being male or female. At first her feminine Irish accent intrigued me given that McCann is an Irishman living and teaching in New York and the novel is told via an omniscient, seemingly heterodiegetic (outside the story itself) narrator. I should have known, however, once the second half of the novel begins that I was in for a treat. Once McCann establishes his version of the facts behind these famous men and their travels, the novel then takes up the stories of the less noticeable women who populate and help contextualize what really happened.
It’s the shift towards this female perspective that justifies and explains the choice for Hughes a the narratorial voice of the audible version, and my delight in that decision ultimately confirmed my love for what McCann was attempting to do in this novel. While the experiences of men (even enslaved minorities) have always driven history, McCann reminds us the mothers, wives, sisters, daughters, and friends that ultimately influence and shape what happens above the waterline. Dropping below the surface with McCann’s female narrator, who does reveal herself towards the end of the novel, enables the reader to imagine the millions of unspoken and unheard stories that people our histories and remind us not only of the connections from one side of the Atlantic to the other, but from the near and public side of the gender divide to its lesser known and more private view where women quietly give voice to all our experiences.